翻訳と辞書 Words near each other ・ Domenico D'Alberto ・ Domenico da Cese ・ Domenico da Cortona ・ Domenico da Piacenza ・ Domenico Dall'Oglio ・ Domenico Danti ・ Domenico De Angelis ・ Domenico de Benedettis ・ Domenico De Lillo ・ Domenico de Simone ・ Domenico De Sole ・ Domenico de' Rossi ・ Domenico del Barbieri ・ Domenico dell'Allio ・ Domenico della Rovere ・ Domenico Della-Maria ・ Domenico di Bartolo ・ Domenico di Campofregoso ・ Domenico Di Carlo ・ Domenico Di Cecco ・ Domenico di Michelino ・ Domenico di Pace Beccafumi ・ Domenico di Zanobi ・ Domenico Distilo ・ Domenico Doardo ・ Domenico Dolce ・ Domenico Donzelli ・ Domenico Dragonetti ・ Domenico Duprà ・ Domenico Egidio Rossi Dictionary Lists mini英和辞書 mini和英辞書 Webster 1913 Latin-English FOLDOC Wikipedia English ウィキペディア

翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク Domenico Della-Maria ： ウィキペディア英語版 Domenico Della-Maria Domenico Delia-Maria (born Marseilles 1768, died Paris 9 March 1800) was a mandolin virtuoso and dramatic composer of operas.〔(Philip J. Bone, The Guitar and Mandolin, biographies of celebrated players and composers for these instruments, London: Schott and Co., 1914. )〕 ==Early years== He was the son of Italian parents. His father Domenico was a roving mandolin player, who with his wife and friends formed an intinerate company of musicians—mandolinists, guitarists, and vocalists. During their wanderings they visited Marseilles, where their playing and singing attracted more than ordinary attention. This success induced Delia Maria and his wife to settle in this city, where they first commenced to teach their instruments, Domenico was born. He was taught the mandolin while a child, and a few years later he received instruction on the violoncello. He appeared publicly as an infant prodigy upon both instruments. When he was eighteen years of age Delia Maria wrote his first opera, it being performed in the theatre of his native town. This work caused a great sensation among musicians of Marseilles, as bearing the stamp of genius. After this success, Delia Maria travelled through Italy as a mandolinist and violoncellist and did not continue his musical education until he came under the influence of Paisiello in Naples, some years later. He was engaged in Naples as violoncellist and mandolinist in the orchestra of the Royal Chapel, under the direction of Giovanni Paisiello. Delia Maria became aware of his own lack of knowledge immediately he became associated with the concert master and studied diligently under Paisiello for a considerable period. This began a lifelong friendship between the two. Paisiello manifested more than ordinary interest in his talented pupil, the mandolin virtuoso, and had shown his appreciation of the musical value of the instrument by employing it in the score of his opera, ''The Barber of Seville'', which had been composed a few years previously in St. Petersburg.〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Domenico Della-Maria」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.